Thea Musgrave – Chamber Works for Oboe
By Ralph Graves
Oboist Nicholas Daniel is uniquely qualified to present this program (which is probably why he did so). Daniel commissioned a concerto from Thea Musgrave. The working relationship they established gives Daniel special insight into Musgrave’s music. This recording brings together Musgrave’s compositions for the oboe in chamber settings and represents over fifty years of compositional development.
The earliest work is the Trio for flute, oboe, and piano (1960). To my ears, it sounds academically atonal, as was the fashion then. And yet, it’s not at all harsh or unmusical. The inherent lyricism of Musgrave might be buried, but it’s lying very close to the surface.
The featured piece, Night Windows for oboe and piano, is more recent, dating from 2007. Based on an Edward Hopper painting of the same name (which appears on the cover), Night Windows is a series of musical sketches, each one delineating a different emotion: loneliness anger nostalgia despair and frenzy. The sparse piano part coupled with the single line of the oboe presents these emotions in a simple and straightforward manner. Musgrave’s melodic gifts are to the fore, making this work quite effective and appealing.
There are some shorter and lighter works on the album, such as the Two Impromptus and Take Two Oboes, that are just some good-natured fun.
For me, works for live performers and tape don’t age well, but Musgrave’s Niobe is an exception. Although composed in 1987 for oboe and tape, its atmospheric and ethereal sounds have a timeless aspect.
The Threnody for cor anglais and piano makes a fitting close to the program. The cor anglais has a warmer and darker sound than the oboe, and the change in timber from the previous oboe pieces almost serves as a coda. The work was commissioned to make the passing of a beloved teacher, Musgrave effectively conveys deep sorrow and a sense of loss without sounding maudlin or trite.
Daniel plays with a clean, clear tone and is in complete command of this material. He can be warm and expressive, or play aggressively and with great agility as the music demands. An unusual but very compelling portrait of a modern master.
Thea Musgrave: Chamber works for oboe
Nicholas Daniel, oboe
Harmonia Mundi
