Strata Plumbs the Depths of Eleanor Alberga’s Music
This is the fourth album of Eleanor Alberga’s music I’ve reviewed. And all I can say is, “More, please.” Alberga is a British composer, originally from Jamaica. She successfully blends music traditions from both countries into something fresh and unique.
Pianist Alberga and her violinist husband Thoams Bowes performed as a duet. I think those close working and personal relationships informed her string writing. It’s original, yet idiomatic to the instrument.
“Tower” pays homage to a friend, violinist David Angel. The work is for string quartet and orchestra. It’s an interesting study in contrasts and balance. The orchestra provides the emotional context for the quartet’, which sometimes gets overwhelmed.
Alberga’s first symphony, “Strata” is also written in memory of a friend. In this case, violist David Nash. The movement titles reflect his interest in geology: Firmament, Core, Mantle, Crust, Sailing on Tethys, and Plumes. Each strata has its own characteristic sound.
The work doesn’t follow the traditional four-movement symphonic form. But it works. Each movement (strata) builds on the previous. There’s a clear sense of direction and development throughout the symphony.
“Mythologies” has a similar form. Each movement is a character sketch of a Greek god. But here the music seems to work as a suite rather than a unified composition. And there’s nothing wrong with that.
Alberga is an excellent composer and masterful orchestrator.
Thomas Kemp. directs the BBC Symphony Orchestra Their sound is full, rich, and powerful. Alberga’s music is in good hands here.
Highly recommended.
Strata: Eleanor Alberga Orchestral Works
Castalian String Quartet
BBC Symphony Orchestra: Thomas Kemp, conductor
Resonus RES 10340
