Karl Weigl Symphony Recalls Old Vienna
By Ralph Graves
This is the third Capriccio release of Karl Weigl’s symphonies, and my response is simple: “More, please.” Weigl began his career as Gustav Mahler’s rehearsal conductor, and by 1930, he was teaching composition at the University of Vienna. But by 1938, his career would take a dramatic turn.
Weigl’s Jewish background meant his career ended when the Nazis took over Austria. In 1938, he emigrated to the United States, where he taught at the Boston Conservatory and the Philadelphia Music Academy. Throughout it all, he never forgot his beloved Vienna.
His Symphony No. 3 in B major, written in 1931, is a mature work with a grand, Mahlerian sound. But there’s also a touch of Wagner here. Weigl’s use of motifs weaves the entire 46-minute symphony into a cohesive, organic whole.
Also included is the Symphonic Prelude to a Tragedy from 1933. The word “symphonic” is key here. Weigl creates a sonic world filled with high drama and foreboding. Some passages reminded me of Richard Strauss, though Weigl’s aim is different—he’s not telling a story, but instead communicating a mood.
The Deutsche Staatsphilharmonie Rheinland-Pfalz, conducted by Jurgen Bruns, delivers a performance that meets expectations. These artists recorded the other Weigl symphonies, and Bruns’ interpretation stays true to form. Weigl was deeply influenced by the late-Romantic language of Mahler and Bruckner, and that’s precisely what Bruns emphasizes.
The ensemble’s sound is rich and full, with strong solo performances that make Weigl’s orchestrations truly sparkle. This is another excellent addition to the series. With only two symphonies left to record, I hope we’ll also get to hear some of his shorter works.
Karl Weigl: Symphony No. 3
Deutsche Staatsphilharmonie Rheinland-Pfalz; Jurgen Bruns, conductor
Capriccio C5489
