Fred Lerdahl Vol. 4 – Spirals in Form
By Ralph Graves
Volume Four in Bridge Records’ ongoing Fred Lerdahl series features works from different stages of the composer’s career. And what an interesting career its been!
Wake, a setting of Finnegan’s Wake, was Lerdahl’s first major composition. Finished in 1968, it’s Lerdahl at his most atonal. Written (and performed here) by Bethany Beardslee, Wake is a jagged, spikey work that moves along like an wobbly wheel, threatening to spin out of control at any moment.
Fantasy Studies, a 1985 work commissioned and performed by eighth blackbird shows how much Lerdahl’s own compositional voice developed. Rather than academic serialism, Lerdahl uses his concept of spiral development, continually revisiting motives that fold back on themselves.
The third major work included is Spirals, a 2006 orchestral composition. Here the linear nature of Fantasy Studies is replaced by sound clouds — further developing his idea of spiral forms. The music wavers and flows, groups of instruments interweaving with each other in fascinating ways.
Some smaller — but no less appealing — works round out the release. There Diatonic Studies (2009) bubble along, proving that just using the white keys doesn’t always result in bland music. Imbrications (2001) is more aggressive, with noodlely lines working with and against each other in a sparkling mixture.
Fred Lerdahl, Vol. 4
Odense Symphony Orchestra; Boston Symphony Chamber Players; eighth blackbird
Bridge Records
